
I say blissfully because I harbored no pre-conceived notions or expectations and therefore I was struck like a child viewing the Northern Lights for the first time. When I recently saw the 2002 20th Century Fox remake of Solaris, I was blissfully unaware of its legendary history. Not particularly palatable to North America’s multiplex crowd, eager for easily accessed answers, Solaris will appeal more to those with a more esoteric appreciation for art. Both explore the universe around us and the universe within.


Soderbergh’s Solaris is a poem to Lem’s prose. Written almost fifty years ago, Solaris is an intelligent, introspective drama of great depth and imagination that meditates on humanity’s place in the universe and the mystery of God. Steven Soderbergh’s stylish psychological thriller, released November 2002 in the United States by 20th Century Fox, eloquently captures the theme of Stanislaw Lem’s 1961 book.
